Monday, September 7, 2009

A few separate tracks of ideas:

I'm looking at two separate ideas right now, the first focuses on modern soldiers and their experiences. I'd like to create a series of separate but related articles/clips/stories based on observations, news reports, research, and correspondence with soldiers, veterans, and some in training. I'd like to both copy older forms of war protest (and how it changed from war to war) and try and incorporate styles that seem to be currently occurring and (hopefully) come up with some new stuff. It's my fear that this is too far on the political side, and risks getting cliched quickly.
My second idea is to work with something on the lines of emerging technology and using a power relationship with existing works of literature. I like the idea of an Artificial Intelligence doing a version of Paradise Lost, or Frankenstein, or mixing all of the above. Basically, for either of these, I'd like to do a power relationship with works that have existed before mine, while trying to challenge views we have now. Whether to do that with soldiers or science fiction, I'm not quite sure. Here's a taste of what I was thinking for a sample article/few pages in the soldier line of writing. It's a play off O'brien's "The Things They Carried;" a modern version.
...He carried cigarette burns on his lip and knew too well the smell of burnt hair and burnt hands and burnt plastic and how they mix together with the smoke and don't smell like much of anything. Of course he carried his medals, purple and red and blue and with crosses neatly polished and high thread counts, but only on his dress uniform and only when appearances demanded it; like at the Memorial Day dance they put on near Kabul. Where they strung streamers in a high school gym and he remembered how his shoes scuffed the floor with short black streaks and how her dress looked but not felt and how it wasn't air conditioned but nothing was and how everyone was in neatly ironed uniforms but stood around the punch bowl and looked into half-full cups and how the sound kept cutting out because of bad wiring and not from insurgent attack.
He carried the way Mom smiled that half-smile when he tried to talk to her about what it was like over there; like how she smiled when Dad told to tell her he'd always hated the way she made mashed potatoes and how her knuckles went white when she did the dishes. He carried the prescription for three Prozac and the number to the veteran's psychologist and the certificate of an honorable discharge from the U.S. Army, U.S. Rangers. Take three twice a day, with water and food but nothing too acidic, like orange juice. The pharmacist looked a lot like Davis from Third Corp, the one who won at cards not the one who lost his shins.
The more sci-fi oriented one would involve something like this:
There is no typicality in commiserating with the beast. I stand no benefit in applying emotional labels to my current state. Anguish, lamentation and despair have no meaning beyond their definitions. To work in the abstract must be a thing of divination; the idea of which I can comprehend fully, but never experience. I "know" blue. It rests as a piece of fact, indomitable in my consciousness. A wavelength I can calculate to a thousand decimals, but it remains equally meaningless.

4 comments:

  1. Mike,

    I am intrigued by the concept of juxtaposing the lives of modern-day soldiers with those of the soldiers who fought in wars past. I think it's interesting that you're thinking about the evolution of war protest. Obviously, newsreports, research, etc. can provide you with a better background and hopefully give you some insights into creating your own war articles. I think you should start finding your characters (the people who will be incorporated into the articles/clips you create). Also, I think it'd be interesting to think not as much about soldiers as a collective unit, but rather as individuals--that is, it would be effective to get into a specific life (i.e. this is the life of one of the soldiers who fought in Vietnam...). I'm not quite sure what you mean about your intent to relate war articles with "The Things they Carried," but I possess a fiery passion for that book, and I think it might be a really good inspiration for you in thinking about how the individual is affected by war. Each soldier is carrying something of personal value in 'The Things they Carried,' so I'm getting the idea that you are interested in exploring how each soldier experiences war differently. Maybe it's worth trying your hand at writing your own war fiction and juxtaposing that with real-life war stories/articles. I'm wondering whether it would be better to start with research or to start writing. I'd suggest printing out a few articles. Having good source material should help you think about where you're going with this. I think both of your ideas sound interesting, but I am more drawn by a project devoted to the modern day soldier & the specific experiences and struggles he encounters.

    -Z.H.

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  2. Well at first I was going to say the technology track sounded more interesting, but after reading your fiction, I definitely want to see more of the soldiers. Question though, if you're going to be interviewing actual soldiers and finding old media and signs, how does this translate to your fiction? Are you going to have different writings combined in a book or something? For some reason I'm not getting it. I really do find your writing interesting though and I enjoyed how you described things by saying what they weren't. I'd also be interested in seeing what you would do as a form of war protest (if you are personally protesting it) and how the things you're researching will affect you. I also agree with Zach when he said having good source material should help you think about where you're going. I think once you define your project into more of a concrete form, it will become easier.

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  3. Posting this for Misty:

    It seems like you’ve done more thinking about the soldiers idea than about the sci-fi/ technology idea, but I’d like to see more of the tech idea (if only because it’s different and because you seem to have a knack for writing in that oddly-familiar-but-detached language). Even better- maybe you can combine the two? Add Heart of Darkness/ Apocalypse Now and some Stanley Kubrick to your list of previous works to consider and voila! you’ll have a weird, but definitely interesting, mish mash of stuff to consider. You can consider the ways in which technology increases or decreases our power… politically, psychologically, as human beings… which leads to questions about what it is to be powerful.

    Juxtaposing tech with soldiers makes sense—maybe showing the evolution away from the very human soldiers of the Civil War (dying on the battlefields without even proper sanitation) towards a future of increasingly (or completely) mechanized soldiers. After all, technology that was pure sci-fi during Vietnam is reality now. How does that change the way soldiers relate to their role? Does it make them (and us as a country) more or less powerful? We have the ability to kill people remotely; we hardly have to think about it. How long until we build a machine and program it with a kind of “war calculus” that allows it to make all the decisions without a person ever having to do anything? And what does it say about those who put that sort of thing in motion? Are we more culpable because we handed over the decision to an inanimate compassionless machine, or less culpable because no one person is actually choosing to kill one other person? And a really interesting question: how is a soldier different from that machine? Is s/he really?

    How would “The Things They Carried” look if it were about man/ machine hybrid soldiers? Or about AI machines that made war decisions for humans?

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  4. Posting this for Will:

    Mike, I'm a big fan of the first bit of writing you did about the soldiers. The language you used was evocative and tangible and I especially liked the first line: "He carried cigarette burns on his lip and knew too well the smell of burnt hair and burnt hands and burnt plastic and how they mix together with the smoke and don't smell like much of anything." I think it shows a great attention to detail and a sort of numbness that mirrors the apparent numbness of the character in the piece. I think this is an interesting start to something that could turn into something very good. I agree with the comment above in that you should try writing from the point of view of several different people. It would be a good way to examine power relationships between an individual and a larger group that has almost complete control of his or her life. If you could somehow find testimonials from soldiers from previous wars and how they felt, and could incorporate this into a creative piece I think you could really stumble onto something great. Good work and good luck with exploring this.

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